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Tag :: Ambient

  • Ambient / experimental
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  • Introduction
    • What are we gonna do?
    • DAW - Digital Audioworkstation
  • latest lesson
  • next homework
  • I. Ableton Overview
    • getting started
      • Your first set
      • Arrangement View
      • Session View
      • Session Performance
      • Export Project as mp3
      • Export your Project to send
      • Interface Walkthrough
      • Mixerflow chart
    • various stuff
      • Ableton Link
  • II. Working with clips
    • Loop Length and Start Position
    • Clip Envelopes
    • editing clips in arrangement view
    • importing clips
    • warping
    • the GRID
    • Clip Launchmodes & Quantisation
  • IIb. Workflows
    • Resampling
  • III. Effects
    • Types
    • FX Parameters
    • Automation
    • MIDI mapping
  • IV. Arrangement
    • adding details - earcandy
    • how to work on an arrangement
    • finish a track
  • V. Mixing
    • reference track
    • Volume
    • Equalising, part 1
    • Equalising, part 2
    • Compression, part 1
    • Compression, part 2
    • Compression, part 3
    • Limiting
    • Master Chain
  • VI. Midi
    • Pizzabeats
    • Beatmaking
    • Notes and Scales
    • Control Surfaces
  • VII. Instruments
    • Sampler
    • Synthesiser
      • Signal flow
      • Oscillator Waveforms
    • What does ADSR stand for?
  • IIX. Projects
    • how to background music
    • Radio advertisment
  • oldhomework
    • 2025-06-02
    • next homework
    • 2024-09-23 assignment
    • 2024-11-11
    • 2024-11-18 solution
    • 2024-11-25 beatprogramming
    • 2024-12-03
    • 2024-12-16
    • 2025-01-06
    • 2025-02-03
    • 2025-02-24
    • 2025-04-28 after Easter
    • 2025-05-05 compression
    • 2025-05-12 sidechain
    • 2025-05-19
  • Styles in electronic music
    • Dubstep
    • House
    • Goa / Trance
    • Drum'n'Bass / Jungle
    • Ambient / experimental
    • Techno
  • Resources
    • Keyboard Shortcuts
    • Free Plugins and Samples
    • Online Learning Resources
    • Ableton Live Built-In Tutorials
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